"Labyrinth of Commerce", acrylic on canvas, 50 x 70 cm |
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Sunday, 30 August 2015
Artikinesis and the Basingstoke Project
Tuesday, 25 August 2015
Wayside Wheel
Monday, 24 August 2015
Waverley Window
Last Tuesday, Rose and I visited Waverley Abbey in Surrey, and painted en plein air at the ruins. This is my painting (tidied up slightly in the studio).
Oil on canvas, 41 x 33 cm
Cross-posted with Artikinesis
Oil on canvas, 41 x 33 cm
Cross-posted with Artikinesis
The Merry Maidens
This was painted in the Open Studio, from sketches and photographs, on Saturday 22 August.
It shows the Merry Maidens, a stone circle in Penwith, Cornwall, that we visited the week beforehand.
Oil on canvas, 40 x 80 cm
It shows the Merry Maidens, a stone circle in Penwith, Cornwall, that we visited the week beforehand.
Oil on canvas, 40 x 80 cm
Sunday, 23 August 2015
Monday, 17 August 2015
Hampshire Open Studios
This weekend, I will be opening my studio as part of Hampshire Open Studios. I will be open 10am to 5pm both days, and again the following weekend and bank holiday.
Friday, 7 August 2015
Safe as Houses
I selected Elvis Costello's "Indoor Fireworks" as a contrast to the 1812 - a large scale, dramatic piece often used to score large scale, daramatic outdoor fireworks displays. Costello's song is a small scale, singer-songwriter song, about the approaching end of a passionate relationship.
But dont think for a moment, dearIt's the last of my 25 pages. The Song Book is done.
That we will ever be through...
Wednesday, 5 August 2015
1812
When I started this series, I didn't think I would end up doing a classical piece. No words, but the drama is in the music, and the bangs and the crashes speak volumes.
Unable to Lunch Today
Cole Porter kills off two of his characters in this tragic standalone song-story. Miss Otis - both culprit and victim - is too polite not to send her apologies.
I couldn't resist adding a visual pun in the centre of the page...
The Beatles and the Stones
All I Want is a Photo In My Wallet
A small resemblance of something more solid.
Blondie's "Picture This" lends itself well to a visual representation.
Blondie's "Picture This" lends itself well to a visual representation.
Streets Wide and Narrow
I've never been to Dublin, so I placed Molly Malone in a generic cobbled street... and then they sort of acquired a graffti'd look.
Tuesday, 4 August 2015
Skewball
Last weekend I went to Newbury Races (mainly for the sake of the fibreglass horse statue that we painted at the school). There is clearly a modern influence on my picture of this C18th racehorse.
I knew the rather fanciful Peter Paul and Mary song (Skewball was a racehorse/And I wish he was mine/He never drank water/He only drank wine). Then I discovered the False Lights song of the same name; it was a completely differert song. It was one of several broadsheet ballads that spoke of the wonders of this horse.
I used bits out of several of these songs.
I knew the rather fanciful Peter Paul and Mary song (Skewball was a racehorse/And I wish he was mine/He never drank water/He only drank wine). Then I discovered the False Lights song of the same name; it was a completely differert song. It was one of several broadsheet ballads that spoke of the wonders of this horse.
I used bits out of several of these songs.