Saturday, 23 July 2016

Artikinesis set to exhibit in Reading

https://artikinesis.org.uk/2016/07/21/explore-hidden-reading-with-artikinesis/

17 September – 1 October 2016

"Not far from the hustle of central Reading there is Blake’s Lock. Along this quiet backwater, five artists and a poet came, saw, recorded their findings and expressed their feelings.
"Now at the Riverside Museum’s Turbine House gallery, you can share their experiences and discover hidden Reading for yourself."

Riverside Museum at Blake’s Lock, off Kenavon Drive, Reading, RG1 3DH
(access through car park of the Bel and Dragon restaurant)

Exhibition opening times:
Every day 17 Sept – 30 Sept: 10.00 – 18.00
Final day 1 October exhibition closes at 15.00

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Artikinesis is a group of five artists: Adeliza, Brian, Elinor, Rose and myself. We're very excited to have Duncan writing poems as part of this project; the interplay between location, visual art and words promises to be very interesting.

Windsor Castle en plein ar and a little bit in the studio


I decided that I didn't like the guards in this painting - they were rather hastily put in and they didn't seem to belong to the scene at all, probably because I made them too big for their position.

Friday, 22 July 2016

Pitt-Rivers Dinosaurs



A series of quick sketches of reconstructed dinosaur skeletons in Oxford. All those knobbly bits make Eddy, Trike, Iggy and Rex tricky subjects, especially with children in tow.

Sunday, 17 July 2016

Windsor Castle en plein air

North Terrace, oil on canvas, 50 x 70 cm
Yesterday (Saturday 16th July), I participated in the Windsor and Eton en plein air event. To celebrate Queen Elizabeth's 90th birthday, 90 artists were invited to paint within the grounds of Windsor Castle. My friend Rose and I were two of those artists.

It was a very hot ad sunny day, and the castle was thronging with visitors. Every now and then, a small group of red-clad soldiers marched smartly along the North Terrace, where we were both positioned. They were difficult to capture, and I very nearly scraped them off at one point, having despaired of seeing them again and fixing in my mind enough detail to make my image of them believable...

I think I only just pulled it off.





Monday, 27 June 2016

Painting local churches...

I'm not terribly clued up on the way the Church of England organises itself, but there are three churches in our local group. There's St Mary's (Kingsclere), St Paul's (Ashford Hill) and St Peter's (Headley)

It sounds a bit like a 60s folk trio.

But these are the churches. Norman St. Mary's, squat and sturdy; Victorian St. Pauls, elegantly be-spired; and miniscule St. Peter's, also a Victorian building, represented here by a pair of sketches.


On Saturday, I was at a charity event at St. Paul's, and I was there to demonstrate my knife-painting techniques. I had a gazebo, which was fortunate, as it rained quite a lot.

I had my acrylics...

40 x 40 cm, painted in the morning, when
there was a glimmer of blue sky and sunshine

 ... and I had my oils ...

41 x 33 cm, painted in the afternoon, when
the sun had disapeared but the roof was shiny

Both paintings were auctioned for charity on the day.

Thursday, 23 June 2016

Oh, let me in, the soldier cried

It's a cold, haily, windy night.
Let me in, he says
Oh, but I can't. My parents wouldn't be happy.
I'm going away. I might not see you again.
Oh, alright then.

....

Ooh. Shouldn't you marry me, now?
No. 'Bye.

The words in the song are more poetic. But the soldier is still a cad.

Friday, 17 June 2016

A Green Man, or the Sleeping Giant

30 x 40 cm, oil on canvas
An imaginary figure, part of his environment. Painted quickly from imagination using a restricted palette that included no white and no yellow, but that nonetheless included more colours than I often use...