Friday, 16 February 2018

Downland beech

Molotow acrylic marker pens on paper, A4 (21x29.7cm)
Another monochrome beech tree, albeit with a CMYK (cyan, magenta, yellow and black) sky. It makes it look rather cartoonish, I think - or is that the "googly" face that I keep seeing in its trunk?

This tree is part of a grown-out hedgerow on the ridge of one of our local downs.

Savernake Beech

Molotow acrylic marker pens on paper, A4 (29.7x21cm)
There are many wonderful old trees in Savernake Forest in Wiltshire. Oaks tend to dominate the selection (they do get impressively old and gnarled), but there are other trees as well, including many beech trees. I encountered this particular example when I visited the forest earlier this month, and this picture is worked up from a photograph I took then (it was a bit cold for lengthy studies).

This is an exercise in the use of limited tone: black, white, and a middle tone (grey).  I used three Molotow acrylic paint marker pen colours for the drawing, deliberately keeping each shade separate and distinct. (I used a fourth colour for my signature).

It looks a bit like a lino print to me, albeit a rather complex one with two printing plates. I like cutting lino (and wood) to make a plate, but have limited patience with the printing process itself and have yet to master the art of registration (printing multiple plates / colours accurately to build up layers). This was rather simpler to do, and very nearly as satisfying.

Saturday, 10 February 2018

Winter trees

Winter Oak (detail)
Winter is the best time to capture the structural essence of a tree. On a bright, clear day, the branches are dramatically stark against the sky, the patterns in the bark are unobscured by the shifting shadows of foliage (and any undergrowth will have died back a little, affording better access to that elusive perfect vantage point...).

These two pictures have been created as part of my preparation work for the Artikinesis exhibition at Sticks Contemporary in Gosport.

Winter Beech (detail)

Sunday, 14 January 2018

Artikinesis: We are forest

image by Elinor Cooper

The next Artikinesis project will be in Gosport. We will be creating a temporary, room-sized artwork - an installation - on the walls of Sticks Contemporary Gallery. The piece will explore our relationship with trees. We have published a statement for the piece on the Artikinesis web site.

The painted part of the installation will be created on site in five days during February this year. There will also be some projected images (as yet undecided) and an audio element. The latter is being created by Tanith Lawrey. The completed work will remain on show until the end of March 2018.









Wednesday, 6 December 2017

The Basingstoke Project 2017


Artikinesis’ Basingstoke Project is currently on display upstairs at the Willis Museum in Basingstoke. We are sharing the building with Hampshire Cultural Trust’s Turner and the Sun touring exhibition (downstairs) until the 16th of December, so you might want to allocate a little extra time in order to catch both exhibitions.

2 – 22 December 2017

upstairs at

The Willis Museum
Basingstoke

RG21 7QD
Tues to Friday, 10:00 to 17:00
Sat, 10:00 to 16:00
Free admisssion

Sunday, 5 November 2017

Iron Gall Ink: Recipe using Knopper galls

Iron gall ink is literally the stuff of history; it was used to write many medieval documents, including the Magna Carter.

Saturday, 7 October 2017

Porth Moina

Porth Moina, oil on canvas, 100 x 73 cm
Porth Moina is in Penwith, Cornwall, on the north coast (and on the southwest coast path) . Porth means "cove" and Moina probably means "mines" in this context.