![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEXh6u4Vv0PElgvnzJJI-dDk0AdzUOijZbqRCHgk1oX8qOxwXz29t0-D25AIdGviHZI9QqV1PMfl-yrl3TIsiB13K-xvGH1ZEwqOJIeVGp9TUM1DuNxzm10y6UH7qj41yXmjuBLfUvv0w/s320/watermarked-BotallackCountHouses.jpg) |
Botallack Count Houses |
Two more - rather watery in theme - line and washes. Both were done from photographs using dip pens, acylic inks (sepia and white) and watercolour.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxzjvjsHe2CNk-gJkr3mzzoD09LwwQ0fF2XP0KyFdGcbZtPfHAxWb9lmzo1JKd2NQv4Wmegz3COFBll7a3ioYzsffz4l4SV9Y4cXTdStcZaLsFdny8I3YhImGFIR1GE6BcHHYTdl-Pd_s/s320/watermarked-NewburyLock.jpg) |
Newbury Lock - SOLD |
My watercolour palette continues to roughly follow my oil palette
(phthalo blue, lemon yellow, quinacridone rose/magenta), with the
addition of a few colours (quinacridone gold joins the quinacridone
rose, and I find ultramarine to be of greater use in watercolour than in
oil).
I even used making fluid in the Botallack painting; you can see it (as a pale turquoise overlay) in the first of my "in-progress" shots, below:
Left: Inked and masked; Centre: First wash liberally applied; Right: Nearly finished
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