Wayland Smithy: Full Frontal 2002

The last time that I drew Wayland Smithy, it was a warm day in April, 2002, and I sat on the grass in front of the long barrow's entrance with pencil and A5 sketch pad:

Watership Down and Ladle Hill: Drawing Pencil

I really wish that Derwent had come up with a better name for these lovely pencils. They call them "Drawing Pencils", or, sometimes "Soft Drawing Pencils". Which could easily apply to a 4B graphite, say. (Aren't all pencils for drawing with? Even the H family - which I generally shun - are intended for drawing. Very precise drawing.)

I don't think that there is any graphite in these pencils. They are smooth and waxy and come in a range of muted, natural-seeming colours (the range is quite similar to the Sennelier "Nature" box). I now have the tin of 24 colours, which I think is all of them. I already had the earth-toned tin of 6, which I used for Study in Yellow. It's nice to be able to hint at blues and greens, and I think that the full range of colours suit this subject, which is from a photograph taken at around 5:30 pm earlier this month, when the sun was on its way down and the hillsides were in shadow.

Here's a slightly earlier, sketchier version in the earth colours:

Drawing on A4 paper

EDIT: There's a painting, too...

The Oily Knife, part 1: Oils

Over the years, I have tried many artistic media, and several different means of applying them. From crayon to pencil and assorted pastels; from poster paint to watercolour to acrylic to oils; inks of many kinds, charcoal and chalk. Fingers, brushes, rags and knives. And that's just the two dimensional stuff!