Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

Tuesday, 20 September 2016

Artikinesis exhibition at Blakes Lock

Artikinesis at Blake's Lock began its run on Saturday. There have been quiet times (such as the time that I drew the exhibition hall, above), but there have also been very busy times, and it does seem as if the people who have come to see the exhibition so far have enjoyed it. So have at least some of the people who came to see the Turbine House itself, or who popped in from the adjacent restaurant, or who came to say hello to one of the artists.


Artikinesis at Blake’s Lock, Reading, RG1 3DH.
Open 10 to 6 daily until 30 September, 10 to 3 on the final day, 1 October.


Saturday, 23 July 2016

Artikinesis set to exhibit in Reading

https://artikinesis.org.uk/2016/07/21/explore-hidden-reading-with-artikinesis/

17 September – 1 October 2016

"Not far from the hustle of central Reading there is Blake’s Lock. Along this quiet backwater, five artists and a poet came, saw, recorded their findings and expressed their feelings.
"Now at the Riverside Museum’s Turbine House gallery, you can share their experiences and discover hidden Reading for yourself."

Riverside Museum at Blake’s Lock, off Kenavon Drive, Reading, RG1 3DH
(access through car park of the Bel and Dragon restaurant)

Exhibition opening times:
Every day 17 Sept – 30 Sept: 10.00 – 18.00
Final day 1 October exhibition closes at 15.00

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Artikinesis is a group of five artists: Adeliza, Brian, Elinor, Rose and myself. We're very excited to have Duncan writing poems as part of this project; the interplay between location, visual art and words promises to be very interesting.

Tuesday, 14 April 2015

Reading Abbey

Reading Abbey has been closed to the public for several years now; I understand that there is a risk of faling masonry. It seemed pretty solid the last time I was there... at the time, I was playing with my new SLR (a second hand Pentax K1000) and took a series of black and white photographs in which, to be frank, the masonry and the autumn eaves were pretty much indistinguishable. So the photographs scarcely represent a solid ruin! Fortunately, I had another camera loaded with colour film, and those photographs helped me to interpret the monochrome ones.

This is line and wash, with sepia acrylic ink (and a cheeky splodge or two of white acrylic ink) applied with pen and dropper, on A4 HP Bockingford paper.