Henge

Henge, oil on canvas, 50 x 50 cm

What is a henge? In short, it is a prehistoric ring bank and ditch, with the ditch on the inside. The word is a backformation from Stonehenge - which doesn't actually have a henge! It's all a bit confusing, but what is certain is that the large earthwork that encircles Avebury (village and stone circles) is called a henge.

Sentinel: Danebury Hillfort

Sentinel, oil on linen, 70 x 50 cm

I've painted this beech tree before, but this time it is in leaf, and more of the lumps and bumps of the hillfort's earthworks are visible.

The tree stands, tall, proud and solitary, by the entrance to the fort (here, we are looking out of the fort). It made me think of a guardian or sentinel.

Sentinel

oil on linen, 70 x 50 cm

£260

Painted 19 May 2018 in Open Studio

Devil's Den, or, The Resting Place - SOLD

Devil's Den, oil on linen canvas, 46 x 38 cm

The Devil's Den is a reconstructed (c. 1921) dolmen (neolithic) near Marlborough in Wiltshire. As far as I can tell, it is the closest such monument to where I live (there seems to be a shortage of suitable stone in Hampshire; certainly the chalk and flint in the immediate vicinity would make very poor building material). Dolmens, which look like stone tables, are actually the structural remains of burial chambers that were once covered in earth. Most have three or more uprights; this has two, but one of them rests on a third, recumbent stone. The stones are sarsens, which are blocks of sandstone created by glacial flow. They are plentiful in that area (which is not far from Avebury and Stonehenge).

I have visited the Devil's Den before, with sketching equipment, but this time I took my painting gear. It was a gloriously, unseasonably, hot and sunny day. I spent maybe two and a half hours on site and completed the picture in the studio, where I empasised the darks (which have a tendency to get lost on site) and the reflected colour on the stones.

Included in the group exhibition, Traces of Prehistory (Artikinesis).

Devil's Den

oil on linen canvas, 46 x 38 cm

£160 - SOLD

Entrance (Chysauster)

I find prehistoric sites entrancing: open to the elements, often in (relatively) remote locations, they are refreshing in their wild freedom yet retain a palpable sense of history. I also rather like painting stones.

This is the entranceway to one of Chysauster's "courtyard" huts. Chysauster, in west Cornwall, is a remarkably well preserved iron age village managed by English Heritage.


My painting was made last week while my studio was open as part of Open Studios West Berkshire and North Hampshire. There's still just over a week of Open Studios left; you'll find my dates and details here.

Entrance (Chysauster)

Oil on canvas, 55 x 46 cm

£190

Step Over (Chysauster)

Oil on canvas, 40 x 40 cm (03/05/17)

This is the first painting started and completed in my new studio. It was painted while the studio was "open" for Open Studios West Berkshire and North Hampshire.

It's painted from my photograph of the steps over a Cornish Hedge on the approach to Chysauster, an iron age village in Cornwall.

Danebury - SOLD

Hill forts are rather difficult to depict as a whole, and sometimes rather unsatisfying or unrepresentantive as little bits. Dannebury hill fort, near Andover in Hampshire, is a large and fairly complex hillfort, but it does have some satisfyingly significant ramparts, and some very lovely trees.

Here s one of the latter upon one of the former.

From a photograph, painted in the Open Studio last week.

Oil on linen canvas, 50 x 70 cm
SOLD

Avebury Evening

Well, it was late afternoon, early evening.

More Hurlers

At Easter, we visited Bodmin Moor's Hurlers; in July I painted some of them. The painting seemed lonely, and seemed to need a companion piece It's taken me a while to get around to doing it, but I've finally painted a second Hurlers piece.

The Hurlers

On Bodmin Moor in Cornwall, there is a trio of stone circles known as the Hurlers (the name come from a legendary game of hurling on a Sunday. In vindictive mode, the Christian god allegedly turned the players to stone). With its multiplicity of stones and ridiculously easy access (road and village - Minions, not Bodmin - are both within spitting distance) it may well be the best known circle in Cornwall.

With some justice.

Barrow Hill, New Year's Day 2013

This is based on a chance-taken photograph from the A303.

We were in a car. It was moving. I was not driving. I caught sight of this striking hill and - because my camera just happened to be in my hand - snapped a shot through the car window. Amazingly, it was in focus. Even more amazingly, the picture included the intended subject.

This procedure very rarely works.

I'm glad it did this time, because the scene has lots of things I like in it. A hill. Trees on the skyline. An interesting sky. And, from the name, which I didn't know at the time, the hint of prehistoric activity.

Palette: Phthalo Blue, Rose Madder, Lemon Yellow, Titanium White.

Oil on canvas, 50 x 40 cm
For sale

Avebury Sheep

Way back in 2007, when my daughter was still learning to walk (it must have been spring), I took her to Avebury, with her pushchair. I also took an old-school 35mm SLR loaded with monochrome film.

My photographs weren't all what you'd call stunning; in fact, the source for this painting was a little underwhelming, technically. I think I got the exposure wrong. But the composition worked, I thought; and I loved the two lambs sheltering in the lee of the stone. And there was enough information to make a painting... if you ignored the fact that there were no colours.

So I made the colours up. Based on what I remembered, and what I knew...

I remembered that the stones were reddish. I looked them up: they are sarsens. Sarsens are sandstone (which explains some of the weathering). Sandstone varies quite a lot in colour, but does tend towards the red and the yellow.

This post has been republished with an improved photograph of a slightly improved painting (I have darkened the shadows on and around the foreground lambs).

Oil on canvas, 55 x 46 cm
27 December 2012
For sale