Wednesday 18 April 2012

Wheal Owles - SOLD

I wasn't entirely happy with the on-site painting of Cargodna, so it was always in the back of my mind to make use of the photographs I took that day. This is actually based on a shot taken from my painting position - it's just a wider view, incorporating another of the Wheal Owles engine houses. And a gate. Not to mention the memorial stone for the accident (in the foreground; it's a chunk of granite with a small plaque on the other side of it).


This time, I used a dark underpainting on the engine houses, with the intention of increasing the definition of the stonework; I think it worked. And, of course, one of the benefits of working from a photograph is that the light doesn't change...

You can see the underpainting (as well as my original Cargodna painting) in these in-progress shots:

Wheal Owles
Oil on canvas, 40 x 50 cm
SOLD

5 comments:

  1. Really lovely one, quite brooding with the dark background.

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  2. Thank you, Beth. I think it works a lot better. These industrial ruins do brood, rather. Abeit quite prettily, in this case :-)

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  3. You know what? I think I must have been standing when I took the photograph (as opposed to seated on the ground when I painted Cargodna) - look at the level of the sea relative to Cargodna on the two paintings (handily next to one another on my "Gallery" page).

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  4. you're right it does seem to be from a different angle. I prefer this one, although the other one is nice too. My grandfather painted quite a lot of these, so the theme is very familiar to me.

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  5. Did your grandfather have a favoured mine/area?

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