There are at least two hills in Southern England called "Hackpen". The latter part of the name - pen - is likely to be from the Celtic for hill. I'm not sure what Hack means; I'm resisting the urge to link it to the word for a "horse for ordinary riding".
One Hackpen Hill is in Oxfordshire, near Wantage, and has a Devil's Punchbowl at its foot. It is not far from the Uffington White Horse (a hill figure, possibly the best known and almost certainly the oldest white horse carved into a British hillside).
The other is in Wiltshire, near Marlborough, and is not very far from a dolmen called the Devil's Den. It has a white horse all of its own (quite a few Wiltshire hills do). This white horse (known variously as the Hackpen, Broad Hinton or Winterbourne Bassett White Horse) is probably 19th Century.
The two are curiously similar, in superficial tems, and roughly equidistant from me, but it was the Wiltshire Hackpen that I visited yesterday, with a view to painting it. I took a walk around the White Horse and decided that a panoramic format would be useful (the sketch shown above was made in two parts as my sketchbook page turned out to be too short). Unfortunately, the sun didn't shine on my photographs from what I considered to be the best location, so I may have to return...
Possibly with paint.
EDIT: Two days later...
Showing posts with label Landscape Note. Show all posts
Showing posts with label Landscape Note. Show all posts
Thursday, 12 June 2014
Thursday, 3 May 2012
Welby Church, Leicestershire
This is Welby Church in Leicestershire, on the edge of the market town of Melton Mowbray. I grew up in Melton, and the building is special to me. Its incongruity - the church without a village - its isolation (it can seem like a lonely edifice, particularly on grey, wintry days like the one that this image represents) - its sense of history and, perhaps most important to me when I was a teenager, the way that it seemed to represent rurality in close proximity to the town.
And here are some in-progress shots:
Actually, the last one is the finished version, but it's a different photograph. All of this sequence were taken with the canvas on the easel (although the light is different on the final one - I turned the easel to face the window). The main picture was taken with the canvas lying flat.
Oil on canvas, 10 x 8"
The medieval village of Welby is no more - it was "lost" due to enclosure between 1450 and 1700 (i.e. the local landowner decided that sheep were less bother than crops - which required a lot of agricultural labour, increasingly expensive after the black death - and so the villagers were evicted and the common land enclosed). The site is now classed as an "Antiquity (non-Roman)".The painting is based on a couple of photographs that I took on a recent visit to family in the area. It's rather small - I had limited time this afternoon, and it occurred to me to create something to fit in a frame that I already have. But, then, the church itself is not grand. I think that the size suits the subject.
The church is the most obvious remnant. It sits just shy of the crest of the hill on a narrow lane, and is constructed in local sandstone. It is thought to have been built in the latter part of the 12th Century, in the time of the first Roger de Mowbray. Services are still held there, although not regularly. It seems to be a popular little church - on the occasion of a service, the sides of the little lane are usually clogged with parked cars.
These days, its nearest neighbours are a farm and the site of a former (never functional) coal mine, now a business park. Not much further away, Melton's sprawling residential fingers provide a cohort of leisure walkers who often use the building as a landmark.
Sources:
Lost Villages
Explore Britain
Local Diocese
And here are some in-progress shots:
Actually, the last one is the finished version, but it's a different photograph. All of this sequence were taken with the canvas on the easel (although the light is different on the final one - I turned the easel to face the window). The main picture was taken with the canvas lying flat.
Oil on canvas, 10 x 8"
Labels:
Art,
Church,
Landscape,
Landscape Note,
Leicestershire,
lost village,
Oil painting,
Photograph (painted from),
Showcase,
Welby
Monday, 17 October 2011
Cannon Heath Down: Prehistory
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| Modern Cannon Heath Down: a view along the Wayfarer's Walk and gallops, towards Cottington's Hill. June 2011. |
Labels:
Cannon Heath Down,
Celtic,
Cottington's Hill,
Evidence in the Landscape,
Hampshire,
Hampshire Downs,
Hampshire Treasures,
Landscape Note,
Medieval,
Neolithic,
Prehistory,
Stone Age,
Stubbington Down
Friday, 7 October 2011
Cannon Heath Down: Background (part one)
This is a rather poorly made panorama of Cannon Heath Down, based on photographs that I took during my painting expedition of the 24th of August, 2011. I assembled it manually using Corel Photobook. You can, no doubt, see a whole host of discrepancies between this and the painting made on that date.
But this post isn't about a painting. It's about a hill.
But this post isn't about a painting. It's about a hill.
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