LEGO® Minifigures 43: "Legolas"

Well, what else would you have me call a decidedly Tolkienesque elf made of LEGO? He even looks suitably stern.

Acrylic on canvas, 7 x 7 cm
SOLD

Stack o' Freesia

You may recall a post in which  I mentioned that I tend to paint the edges of the 7 x 7 cm canvases, and demonstrated the effect of a "Stack o' Mini Canvases". Well, I've gone a bit over the top (should that be "over the edge"?) with the freesia paintings. The nature of the subject  is such that it naturally continues beyond the confines of the canvas, and it seemed necessary to make the edges part of the painting.

Lots of Freesia - SOLD

The freesia are lasting well, and today it was seeing them massed together from above that inspired me. A bit of the vase crept in on the left, but that just helps to link this painting to the first one.

Acrylic on canvas, 7 x 7 cm

Freesia 1
Freesia 2
Stack o' Freesia (shows edges of all three paintings)

More Freesia - SOLD

Some more snatched time, some more freesia. (Well, actually, it's the same bunch of flowers, albeit a different stalk, a different angle, and a different background). I do love the shapes you get from freesia - all those delicate, trumpet-like flowers standing to attention in a row on each and every stalk, with the buds tapering off the end. And in the morning - another flower has bloomed!

And they smell lovely, too.

Acrylic on canvas, 7 x 7 cm

Freesia 1
Freesia 3 
Stack o' Freesia (shows edges of all three paintings)

Freesia in a Purple Vase - SOLD

A good friend gave me flowers (to congratulate me on the imminent start of a full time job*). Flowers are for painting, right? I just cannot let cut flowers exist in the house without itching to portray them... in the past, I've done watercolours on cards for friends' weddings. But watercolour isn't really my métier, and, besides, none of my friends are getting married. So out with the acrylics and the tiny canvas it was.

Acrylic on canvas, 7 x 7 cm
SOLD

Freesia 2
Freesia 3 
Stack o' Freesia (shows edges of all three paintings) 


*Unfortunately, the full time job means less painting.

Welby Church, Leicestershire

This is Welby Church in Leicestershire, on the edge of the market town of Melton Mowbray.  I grew up in Melton, and the building is special to me. Its incongruity - the church without a village - its isolation (it can seem like a lonely edifice, particularly on grey, wintry days like the one that this image represents) - its sense of history and, perhaps most important to me when I was a teenager, the way that it seemed to represent rurality in close proximity to the town.

The medieval village of Welby is no more - it was "lost" due to enclosure between 1450 and 1700 (i.e. the local landowner decided that sheep were less bother than crops - which required a lot of agricultural labour, increasingly expensive after the black death - and so the villagers were evicted and the common land enclosed). The site is now classed as an "Antiquity (non-Roman)".

The church is the most obvious remnant. It sits just shy of the crest of the hill on a narrow lane, and is constructed in local sandstone. It is thought to have been built in the latter part of the 12th Century, in the time of the first Roger de Mowbray. Services are still held there, although not regularly. It seems to be a popular little church - on the occasion of a service, the sides of the little lane are usually clogged with parked cars.

These days, its nearest neighbours are a farm and the site of a former (never functional) coal mine, now a business park. Not much further away, Melton's sprawling residential fingers provide a cohort of leisure walkers who often use the building as a landmark.

Sources:

Lost Villages
Explore Britain
Local Diocese

The painting is based on a couple of photographs that I took on a recent visit to family in the area. It's rather small - I had limited time this afternoon, and it occurred to me to create something to fit in a frame that I already have. But, then, the church itself is not grand. I think that the size suits the subject.

And here are some in-progress shots:

Actually, the last one is the finished version, but it's a different photograph. All of this sequence were taken with the canvas on the easel (although the light is different on the final one - I turned the easel to face the window). The main picture was taken with the canvas lying flat.

Oil on canvas, 10 x 8"

Botallack: Chimney

This is another image from my day at Botallack, Cornwall. There's no engine house - just a chimney... and some ruins. And rocks, and vegetation, and sky. Lots of sky. I like the way the chimney reaches into that glorious blue sky, and the way that the rocks define the right hand foreground.