Oil on canvas, 40 x 30 cm
Thursday, 17 December 2015
Waiting (White Bordeaux)
The scenario: you're waiting for your significant other, but they've been delayed. You start the wine. They'll be here soon.
Sketchbook Exchange 2016 (part 3a)
The theme is still Texture, the sub-theme is Rough. The drawing in this post uses two of the pages that I have in this book; the circumstances surrounding it require a little more explanation than they might, and so I thought I'd post it on its own.
This two page spread borrows more than a little from popular culture. Copyrighted popular culture. So I wrote to the copyright holders...
And it was alright (it might have helped that I emphasised the not-for-profit element).
2000AD (owners of Judge Dredd, character) told me to include a long statement.
CBS Records (holders of the copyright to "Ruff Justice", 90's indie classic by Pop Will Eat Itself) told me to talk to Pop Will Eat Itself.
Pop Will Eat Itself said, thanks for telling us, here's how the credit should be.
Here's "Ruff Justice". Just so you know, if you didn't already. Warning: they swear a bit.
This two page spread borrows more than a little from popular culture. Copyrighted popular culture. So I wrote to the copyright holders...
And it was alright (it might have helped that I emphasised the not-for-profit element).
2000AD (owners of Judge Dredd, character) told me to include a long statement.
CBS Records (holders of the copyright to "Ruff Justice", 90's indie classic by Pop Will Eat Itself) told me to talk to Pop Will Eat Itself.
Pop Will Eat Itself said, thanks for telling us, here's how the credit should be.
Here's "Ruff Justice". Just so you know, if you didn't already. Warning: they swear a bit.
Labels:
#C2C16,
2000AD,
Copyright,
Get the Girl,
Judge Dredd,
Kill the Baddies,
Not for profit,
Pop Will Eat Itself,
Ruff Justice,
Sketchbook Exchange 2016
Friday, 11 December 2015
Sketchbook Exchange 2016 (part 2)
This was a tricky one. The theme is still texture; the sub-theme is meaning.
| I started off by thinking about how we read texture - primarily through our hands. So I drew my hands. Note that it's mostly my left hand... |
| This was the last page that I drew, but the second page in sequence. It occurred to me that texture is often used in simile, so I had a bit of fun with some common phrases. |
Labels:
#C2C16,
meaning,
Open Studios,
Sketchbook,
texture
Tuesday, 8 December 2015
Trio
Trio
Oil on box canvas, 30 x 30 cm
£150
A found still life from a (pair of) photograph(s). Not my usual modus operandi; I like to paint still life from life, but these bottles were in a disused mill in Cornwall, in the summer, and there wasn't time to do anything more than photograph them, especially as I was also interested in the old mill workings.
An unusual four tube palette, too - Phthalo Blue and Titanium White are old favourites, but Indian Red and Yellow-Green are new colours to me and I've been enjoying the voyage of discovery.
Friday, 4 December 2015
Carnations in multitude
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| Carnations en masse, acrylic and Molotow on canvas, |
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| Side, acrylic on canvas, 7x7cm |
"White carnations suggest pure love and good luck [...] dark red represents deep love and affection. [...] Pink carnations carry the greatest significance, beginning with the belief that they first appeared on earth from the Virgin Mary's tears – making them the symbol of a mother's undying love."
http://www.teleflora.com/meaning-of-flowers/carnation
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