A reprise, of sorts, of 2016's Gold and Grey, this is a view from a local footpath. These distinctive trees are visible for miles around and are a welcome landmark as well as a favourite subject.
I am very fond of these trees, which sit upon a ridge close to my home and are visible from many local footpaths. I've painted them before (using the title "Skyline"), and no doubt will again.
This is a drawing made from a photograph that I took last Wednesday as I headed out on a longish walk on the downs. The trees may look familiar; they are the "Skyline" trees on Plantation Hill, featured in several of my paintings and drawings.
There's a place near here where the footpath runs alongside a lowland gallop. It's on my way to my favourite painting pitch. Last year, I managed to coincide with the local racing stables' morning exercise, and I sneaked a few photographs.
This is bigger and less yellow than the first Skyline painting, and the trees are both barer and clearer. It's also from a different viewpoint - further along the path, higher up the hill, and closer to the trees.
This painting resulted from an attempt to use up a big blob of yellow (and sundry other colours) on my palette after completing Skyline 2 and Misty Nuthangar. Of course, it didn't work that well, because I had to add a few other colours to finish this - so I painted Godrevy 7x5, too.
There's a lovely ridge very near here where the field sweeps up to a horizon that plays host to a number of trees. It's a subject I keep eyeing up from the footpath, and I have a large collection of photographs of it in all seasons. This painting is based on a photograph taken one evening in July, with the wheat almost ripe and the sky ominously laden with cloud.