It was a fairly gloomy day when I took the photographs this is based on. I wasn't necessarily thinking of painting the subject, but I liked the shots in themselves, and when I posted one on Facebook, my friends' enthusiasm persuaded me to give it a go. I like the way that the flowers form a rough arch, and the way that their brilliant red stands out against the greens and grey. The subject is one of very few (perhaps the only one) among my recent output that has called for Cadmium Red, that ruddy stalwart of the paintbox.
I convinced myself that it was OK to paint this from a photograph on a number of counts: the viewpoint is so low that I would have been very uncomfortable trying to paint it; it's right on a fairly busy (but wide) footpath; and the poppies were blowing in the wind somewhat. Then, of course, there is the time issue. I just don't have the freedom to spend the best part of a day painting now that I'm at work full time.
It took me three evenings to complete this painting, as indicated by the in-progress shots below.
sketch, sky and
red! - and some
after tea; greens
All of the in-progress shots were taken in artificial light (no flash). The main shot was taken in shaded daylight.
Oil on canvas, 50 x 40 cm
See also Cottington's Poppies 2 - mini version.